Chook-shed progress

Y’know how they say ‘measure twice, cut once’ well we now say ‘measure more than three times, AND get someone who isn’t hung-over to check your workings, before concreting once’ – because a concreted-in post is hard to move, and if you don't get it right you don't have much wiggle room. 

The high vis gear was just for show.

Despite small challenges such as these Michael and I worked hard and over two (part)days, we got the chicken coop floor installed on our steeply sloping, poorly terraced site. The shed itself is a kids kit cubby house that we are re-purposing. I then spent Sunday painting the trim and giving the inside a coat of this rather unpleasant cack yellow that I got very cheap at Bunnings. It’s just to protect the cheap pine from chickens, not for looks. The outside is a storm grey with white trim, and a green colourbond roof.

Installed floor, from above. The hole is chicken-access to what will be the secure run underneath.

The next steps are to cut pop doors for the chickens and egg collection in the walls of the cubby. There will be two chook doors and a person door – the two chook doors will be on different sides, so we have the option of making movable day runs, using chicken wire and star pickets. This should allow us more flexibility to do things like to rest the run area, maybe grow hen-fodder or even attach a broody box if we ever get that far (shhhh! don't tell my husband of my expansionist plans!). The person door will now need steps or a ladder - we ended up raising the hen house higher than planned.

After the pop-holes have been made we will touch up the paintwork then install the walls and roof. We are going to use weldmesh to screen the bottom part so that the chooks will have a fox proof area underneath the coop itself, for dust-baths as well as food and water. We are planning on raising the roof , gable and all,10cm or so, and putting mesh around the gap for ventilation. I can't really imagine a chook getting too cold in a Sydney winter, but I remember cubbies being pretty stuffy when I was a kid, and apparently stuffy is BAD for chooks. There is also a window that we will cover with weldmesh, a hole in the floor for the chickens to go downstairs and the plan is to cut a hole in the person-door to allow for ventilation. If we work out that it's not enough we will add more vents.

Installed floor, showing the sloping site.

The logistics of putting it all together will be more daunting than I expected too - I was thinking I could do it myself, with a bit of help from the lovely husband, but since it's all a bit higher than planned it's going to be more difficult.

I think I might end up having that barn raising that I've been joking about after all!

The New/Old House

I’m at work. Yes, I know I shouldn’t be blogging at work, but I’m doing ‘creative’ work and for me that requires a certain amount of effing about and procrastination. At least writing something here is better than repeatedly clicking refresh on my email and favourite forums. So, if I wasn’t sitting here what would I be doing? Well, the things that have been taking up my time recently, apart from hanging out doing school holiday things with my kids, have all been centred around our garden and house.

We moved in about six months ago, and we are still unpacking and organising. Although the house is a lot bigger, there are fewer closets and places to store ‘stuff’ combine that with the fact that family members have given us piles of ‘stuff’ that they either think we should have (I’m looking at you, ugly barstools!) or things they want us to store for them (Yes, I know I’ve left boxes at my parents for years and now they are finally exacting revenge – we have their car and a whole pile of their belongings while they are off travelling).

The other thing about our ‘new’ house is that it’s old and a bit rundown. It was given a quick coat of paint, the cheapest possible kitchen and cheap carpet when it was put on the market. This is a good thing – the new bits mean that it is totally liveable for us but it also meant that it was a bit more affordable (at least the owners didn’t have a fancy remodel that they needed to recoup costs on), we aren’t too precious about our kids staining the carpet or scuffing the walls (ahem, toilet training!) and when the time comes and we have plans and money (hah!) we won’t feel bad about ripping things out and replacing them.

Our first steps in making this place just the way we want it is just to live in it. We are seeing what works and what doesn’t in each season of the year. So far we know we need to do something about the outside covered area which is roasting in summer and freezing in winter (it’s also ugly!). We would like a bit more street appeal (the last reno was probably in the late 60s or early 70s and is…. Unsympathetic) and I feel that we need an architect to help us with flow and using space better. I want a roomful of built-in bookshelves as well, but that’s not necessary in the short term.

Since we don’t want to do much to the house, considering we might have to un-do it reasonably soon, when we have more of a plan, we have been concentrating on the garden. I am desperate for chooks and veggies and we are starting that process now: we have a potato tower, a few beans, heaps of herbs, some of the over-abundant weedy vegetation that was smothering the yard cleared and a site for the chook house. We are composting and I’ve been collecting fallen leaves from the deciduous trees on the street for mulch. The chook house and raised veggie beds are next on the list, with the lovely Michael, my brother and chook-shed-engineer supremo, helping me out (it helps that he’s skint and I feed him. It’s a cheap and truly wonderful birthday present as well!).

I'm going to include a few more house and garden type posts here, just so when we have a lovely, flourishing garden and a pretty, organised house I can look back and remember. I'm having a great time withPinterest too, pinning mostly ideas for home and garden, as well as some kid stuff. So follow along, or better yet, send me things that you think I'd like!

 

Indigenous voices in literature and the arts

I just read this column in the SMH (http://www.smh.com.au/opinion/society-and-culture/answers-dont-roll-easily-off-the-tongue-20110923-1kos3.html) and I thought that it might be interesting to discuss. As part of my undergrad bachelor of science degree I have a major in "Aboriginal studies" (probably now called "Indigenous Australian studies") and I remember doing a subject where we spent our time talking about appropriation and authenticity in Aboriginal art. We were mostly talking about visual arts, but it's the same kind of situation with writing and, to my mind, a similar conversation can be had about pop culture and mass media representation. Read the article and ask yourself these questions: 

• Is it ever OK for someone to speak 'for' Indigenous Australians?
• In your art making would you ever use traditional Aboriginal motifs?
• In your writing would you ever try to get inside the head of an Indigenous Australian? What about a (let's say) recent migrant? Is it different if the migrant is from a place you have some connection to?
•  What about speaking for people/getting in the head of people with a different gender identity or sexuality? Why is it more OK (in my mind) for me to write as a man than, for instance, my lovely brother Michael to write as a woman? 

I think this whole vexed question is wildly interesting because I look at my own reactions and can only see wild inconsistencies. I would never presume to speak for Indigenous Australians in pretty much any context (except to remind people that 'they' are not any more a homogeneous unit than 'us') and I freak out a bit when I hear of other people doing it. And yet I support Michael going to Q&A/Insight/whatever as part of their 'Aboriginal' audience - he is, however loosely, a very peripheral part of an Aboriginal community. So no, it's generally not OK for anyone to speak unbidden for others, but I guess it is sometimes OK.

I can't imagine a situation where I would include traditional Aboriginal motifs in any art-making that I do, however, worry that blanket statements are generally a bad idea when we talk about art. No one can argue that child porn is a good thing, but to prohibit any images of naked children would decimate my photo albums, eliminate huge quantities of religious art (naked baby Jesus anyone?) as well as harass artists like Bill Henson and there is no reason to suppose it would stop child pornography. How do we find the right balance? How can we support the rights of people to speak for themselves without prohibition?

Historical fiction is plentiful - why is it uncontroversial for, for instance, Kate Grenville to write from the perspective of a fictional white male from history but not OK for her to speak for fictional historical Indigenous Australians? I really like her answer in the article: "we had stolen enough from them already, we shouldn't also steal their stories" and I agree wholeheartedly. But how do we move on from that point to creating a shared Australian history and identity? I read recently (on the SMH I think - I can't find a reference though) that stories by Patricia Wrightson like The Nargun and the Stars that I loved as a child are now thought by some to be cultural appropriation. I don't want to claim Dreamtime stories as my own, but I want to acknowledge that they are part of this country, that the history of Aboriginal Australia is part of my history.

It's easier for me to speak (and think) about the similar issues that feminism has brought up. Easier because I'm a woman, and I know I can't speak for all women, but I can speak for me. I find men that speak 'for' woman pretty painful, but I'm sometimes not sure if it's just in situations where I don't agree with what they are saying. I find Alexander McCall-Smith speaking in an African woman's voice grating, and I'm not sure whether it is because it is a man speaking as a woman, or because it's a white European speaking with the voice of a black African.

How do *you* put your thoughts around these issues into practice in *your* writing or art-making? Do you avoid the problem by avoiding reference to Indigenous Australians? I confess that that's what I tend to do, because the alternative is so damn difficult. Unfortunately that isn't the way to create an Australia as a place for Indigenous people, those with colonial heritage and also more recent migrants. Let's start a conversation about the way forward...

Good Luck Michael

Well, the HSC exams are coming up rather soon (starting October 16th) so I'm going to use this chance to send a good luck shout-out to my brother Michael. He's not someone who finds it really easy to concentrate or to accept the authority of teachers, so he's not having the easiest time of it this year. Conversely however, he's smart and enjoys learning, so he's not having as bad a time as many other students. As long as he can stay focused, keep his OCD tendencies* under control and keep his eyes on the prize he'll be just fine.


*He's not really OCD/OCPD he's just got a very particular way of looking at the word. I think this comic from xkcd explains it better than I could: